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I think the created process for making a track, or a remix should be a fast moving evolving process. If you spend too much time and energy trying to create a track you end up with a stagnant and forced track that lacks driving and flowing energy. So how do you know when your track has become stale? When should you bite the bullet and start again? Read on for my hints... |
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There have been so many great plug-ins coming out of late and not enough time to review all of them, but when I tried the new Ohmicide: Melohman I couldn't resist reporting on how good it was. Read on to find out why |
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For a long time the compressor was a complete mystery to me. All I knew was that is was something that everyone said I should use, so I did. I threw it on my VST's and to me everything sounded just the same as before. Is a compressor an essential tool for electronic music? Hell yes, and or anyone who doesn't quite get what a compressor does like I once did read on and I'll shed some light on this dark art! |
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M-Audio has just released Torq Xponent which is a new integrated hardware/software DJ and production system. The Torq Xponent system brings traditional CD DJ-style control and mixing to the vastly expanding world of computer-based DJing.
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Many of us have been using synths with Rob Papen's influence for a long time. He has brought has tones of wicked sounds, and some great synth design. Rob was the man behind the Albino and Blue, two incredible synths in both sound quality, usability and look and feel. Rob has now teamed up with contreteFX to bring us he's third monster fat synth, Predator. How does it fair up? Read on to find out. |
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